May
21
Industrial Symphony No. 1
Filed Under David Lynch, Laserdisc | Leave a Comment
| Industrial Symphony No. 1 |
|
| Year | 1990 |
| Director | David Lynch |
| Actors | Julee Cruise Michael J. Anderson Laura Dern Nicolas Cage |
| Disc Layers | 1 |
| Source | Laserdisc |
| Image Quality | Very Good |
UPDATE: Industrial Symphony No. 1 is now available in the United States and other countries as part of the David Lynch Lime Green DVD Set. I no longer trade this title.
This collaboration between David Lynch and Angelo Badalamenti, an avant garde stage performance, takes all of Lynch’s signature elements and presents them in a surreal show filled with symbolism, the haunting voice of Julee Cruise, and the unforgettable music of Badalamenti.
Industrial Symphony No. 1 contains a large number of references to Lynch’s other work. It begins with two lovers breaking up over the phone (Laura Dern and Nicolas Cage in roles almost identical to those they played in Wild At Heart), then abruptly switches to a stage performance that symbolizes the thoughts inside the head of the heartbroken girl. Julee Cruise, seen briefly in Twin Peaks, is the focus of the performance as she flies about the stage and lip syncs songs from the two albums she created with Lynch and Badalamenti. Michael J. Anderson, the little man from Twin Peaks, plays an integral part, as do Lynch’s ubiquitous power lines and unsettling imagery. Badalamenti himself makes an appearance on stage and plays a clarinet.
What makes Industrial Symphony No. 1 interesting to fans of Lynch’s other work, however, may not be the music or the presence of Lynch affiliates, but how it predicts the “psychogenic fugue” style of narrative that he would fully explore seven years later in Lost Highway - a style that he has continued to develop and perfect. Lynch’s recent work tries to replicate that lucid dreaming moment when one is aware of being in the dreamstate. To fully enjoy films like Mulholland Drive or Inland Empire you have to sit back and imagine you’re enjoying a good dream - one in which logic, continuity, and linear storytelling are unnecessary. Looking at it this way, Industrial Symphony No. 1 is closer to Inland Empire than it is to Wild At Heart, which was made at roughly the same time as this performance. It moves through moments of calm, moments of nightmare, and moments of uncertainty like a bad dream. Or a really good one.
The source for this DVD is the Japanese laserdisc. There are no subtitles (all dialogue and lyrics are in English) and the picture quality is very good. It runs just under an hour.
Apr
30
Twin Peaks: The Visual Soundtrack
Filed Under David Lynch, Laserdisc, TV Shows | Leave a Comment
| Twin Peaks: Visual Soundtrack | |
| Year | 1992 |
| Director | Unknown |
| Actors | None |
| Disc Layers | 1 |
| Source | Laserdisc |
| Image Quality | Excellent |
This Warner Brothers-licensed oddity of Twin Peaks fanaticism, released only on laserdisc in Japan, presents the Twin Peaks soundtrack album accompanied by professional-quality, shot-on-video images of various Twin Peaks locations. Japanese captions and subtitles play throughout, along with the occasional English title card.
For those familiar with Angelo Badalamenti’s incredible score to Twin Peaks, the presentation of the images perfectly suits each track. “Laura Palmer’s Theme” plays over shots of an abandoned railroad car “graveyard.” “The Bookhouse Boys” takes you on a tour of the Twin Peaks Sheriff’s Office. You’ll also get a glimpse of the RR Diner and its famous pies, among several other famous film spots.
Though it may test your attention span towards the end, this is an interesting piece of documentation for fans. In fact, the best way to watch it may be the imagine that the events of Twin Peaks actually happened and that you are watching a documentary film about the murder of Laura Palmer. The broken-down reality of the locations, in contrast with the romanticized beauty of the show, certainly make it feel this way.
The source for my DVD is the original laserdisc and the video quality is excellent. I wish the Japanese titles could be removed, but after a while I stopped being bothered by them. The scenery changes with each song, making what could have been the world’s most boring home video a moderately interesting look at the people and places of a real life Twin Peaks.